For this exhibition we are staging a domestic dining setting featuring the work of local ceramic designers and one furniture maker. These designers have diverse practices and make a range of homewares, both decorative and functional.
Here they are in alphabetical order:
Jia Jia Chen (co-Curator)
Jia Jia Chen is an interdisciplinary ceramicist working across art, design and food. She has completed her Bachelor of Fine arts and Honours in Ceramics at RMIT and will be undertaking and Masters of Contemporary art at VCA in 2019. She was the recipient of the Future Leaders Award at Craft Fresh! and has had several solo and group exhibitions.
Her recent projects include a commission for Speak Percussion; creating bespoke ceramic percussive instruments for a visual/sound theatre piece performed at Artshouse and designing the artwork and visual branding for the Supersense ‘Festival of the Ecstatic’ at the Arts Centre.
Her love food, wine and feasts have led her into the dynamic world of food; from food styling, catering and designing custom ceramic tableware for ceremonial eating.
Andrei Davidoff is a ceramic artist and sculptor whose functional ceramic pieces are predominantly wheel-thrown and are made from local clay in his home studio. Since 2012 Andrei has been working as a studio potter, creating custom designed ceramics for some of Australia’s most loved and highly regarded restaurants. He exclusively fits out Vue de Monde, Iki Jime and Estelle.
Andrei completed his Masters in Fine Arts at RMIT University in 2012.
Alison Frith is a ceramicist who creates wheel thrown stoneware for the kitchen and home. With a strong focus on functionality, she enjoys making the daily rituals of life special through the objects and vessels we use.
Through a continued investigation of surface, Alison Frith’s work explores the relationship between unconventional finishes and contained forms. Volatile crater glazes are countered with smooth satin finishes, creating a dialogue between the controlled and organic.
Alison Frith was the recipient of the Sofitel / Craft Fresh! Emerging Craft Practitioners Award in 2016, and held a solo exhibition at the Sofitel Melbourne on Collins’ Lobby Gallery.
She currently works for Anchor Ceramics.
Kate works at School of Clay and Art (SoCA) as a teacher, researcher and studio manager. Her private studio is based at SoCA.
Kate Jones has completed a Diploma of Art (Ceramics) and a Bachelor of Arts (Fine Art) with honours at RMIT. She was awarded the Trudie Alfred Bequest in 2013, the Craft Victoria Fresh! award in 2014 and the Victorian Craft Award for Ceramics in 2015. Exhibitions include solo shows at Stephen McLaughlan Gallery, Craft Victoria Gallery and the Sofitel Hotel, Melbourne.
Tessy King is an artist who works predominantly with ceramics. She studied Fine Art at RMIT and graduated with First Class Honours in 2016.
The vessel is the object central to her current work through which she examines the point of convergence of sculpture and domestic ware. Within her arts practice more broadly, Tessy considers how meaning is generated through the arrangement of objects and materials in larger installations and playful vignettes.
Recent exhibitions include House Sculptures at Pieces of Eight gallery in 2017. ‘Sun Room’ at Craft Victoria, ‘Contempottery’ at Mailbox Art Space, ‘Feminographies’ at Seventh Gallery and ‘Viewing Zone’ at C3. Tessy was a finalist in Fresh!, 2016 and The Victorian Craft Awards, 2017.
With an affinity for the disposable yet permanent nature of clay, a ceramics practice was developed as a more tangible platform for design. Drawn to the purity of the craft, she found an appreciation of the labour intensive process, cultivating her awareness towards the finer details and the importance of every step. She has worked as a studio assistant to ceramicist’s Leah Jackson and Wingnut & Co.
Claudia has exhibited at Modern Times and is stocked at Shifting Worlds, Monk House Design and Workday Studio.
Claire lehmann (co-curator)
Claire is a ceramicist with qualifications in art history, multimedia and ceramics. Originally making tableware, she is now focusing on lighting design, her work reflects an interest in shape, texture, process, weight and material tolerance. Her ceramic work bridges industrial design, fine art and craft.
In 2017 Claire was the recipient of a ceramic scholarship and residency at the European Ceramic Work Centre (EKWC) in Oisterwijk, The Netherlands. Alongside solo exhibitions, she was a finalist in Craft Victoria’s Fresh! Awards in 2016’s and the 2017 VictorianCraft Award. Recently she has been making bespoke lighting for commercial buildings.